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door | 21 september 2020

During the more than sixty years of its existence, Toneelacademie Maastricht has become synonymous with excellence in professional skill and artistic development both in the Netherlands and abroad. Based on a solid foundation within the traditional theatre practice, the Toneelacademie seeks out the boundaries of our multimedia society. Within the world of the stage, the cinema, and the new media, it challenges its students to feel at home on different platforms.

All of this out of a desire to secure a prime position for the unique talents of each new generation of actors, performers and directors and prepare them for a professional career in this world. Within Europe, the Toneelacademie is collaborating with schools in Munich and Manchester. Each year we will be creating a joint production as a prelude to a more extensive collaboration within a European Theatre School.

Amsterdamse Hogeschool voor de Kunsten The Theaterschool of the Amsterdamse Hogeschool voor de Kunsten offers an extensive range of courses in the field of dance and the theatre, both on stage and behind the scenes. Each course has its own goal, its own course programme, and a unique atmosphere. Koninklijk Conservatorium Den Haag Attending the Koninklijk Conservatorium in The Hague means studying at a musical institute that has guaranteed top quality education for many decades and offers teaching by top-level international musicians, where tradition and professional skill are inextricably bound up with experiment and innovation.

Our primary aim is to instil young talents with the highest levels of artisticity, traditional skill and versatility to be able to function within the demanding and continuously changing professional environment. The school expressly participates in projects that will focus first on experiencing music and dance and it offers the students themselves the opportunity to shape these projects. At the Faculteit Theater of the Hogeschool voor de Kunsten Utrecht, students can take bachelor courses to become actors, theatre makers, playwrights, theatre designers, drama teachers, game designers and digital theatre makers.

Each course takes an innovative approach to the theatre: a close involvement with the developments in the theatre and the world around us. We enjoy working with students who will explore the boundaries of the theatre and who have something to say to the world. For example, creating drama that will play with physical and virtual reality or that will turn audience members into participants. The Faculteit Theater in one phrase: passionate about the theatre, sensitive to the world.

The Rotterdamse Dansacademie RDA is one of the leading professional training courses for contemporary dance in Europe. Each year, the RDA selects a few dozen talented students out of hundreds of dancers from all over the world, and prepares them for a professional career. The RDA also offers a range of preparatory courses, for instance through the Havo voor Muziek en Dans secondary musical and dance education.

The RDA has over students in its professional training courses 30 nationalities and around students in its preparatory courses. With the Rotterdams Conservatorium and the Bachelor Rotterdam Circus Arts, the RDA is part of Codarts, Hogeschool voor de Kunsten, a small-scale art academy students based in Rotterdam, offering high-quality professional arts education. The ArtEZ Dansacademie has a highly international character which is reflected in our team, our programme and our guest teachers.

The professional dance field today demands dancers who can be independent thinkers and co-creators, which is why the academy trains its students specifically to become both dancers and dance makers. At the ArtEZ Toneelschool you will work on your development as an actor within a select ensemble of talented and ambitious fellow students for four years.

Fontys Hogeschool voor de Kunsten For those who want to express their passion for dance professionally, the Dansacademie at Fontys Hogeschool voor de Kunsten offers a challenging course that will help you develop into an authentic, truthful, unique, involved, and passionate dance artist or musical theatre artist. The Dansacademie is an art school with an international outlook offering education in the fields of dance, musical theatre, choreography and dance teaching.

Special care is given to creating, participating in interdisciplinary projects, and collaborating with the professional field. This work programme has been funded with support from the European Commission. This publication reflects the views only of the author, and the Commission cannot be held responsible for any use which is made of the information contained therein. Fax 0 33 The editorial board has strived for a complete and correct representation of the incoming information and is not responsible for any possible incorrect statements except unforeseen programme changes and printing mistakes.

Special thanks for bringing this newspaper into being to: all lecturers, employees and students of all the participating educational establishments, all INSTED employees and participating theatres. Young graduating performing artists from the Netherlands and abroad will be presenting themselves to a broad audience, consisting of fans of the theatre, casting agencies, programmers and the press. Seeing and being seen, so to speak!

The ITs Festival Amsterdam is the stepping stone to a professional career for these young stage beasts. Jonge, afstuderende podiumkunstenaars uit binnen- én buitenland presenteren zich aan een divers publiek bestaande uit regu­ liere theaterliefhebbers, castingbureaus, programmeurs en pers. Zien en gezien worden dus! Het ITs Festival Amsterdam vormt dé springplank naar de beroepspraktijk voor jonge podiumbeesten.

If the audience would first enjoy a good group dance performance and then come to check out the new. And if the au­ dience members would then discuss the work with our dance and choreography ta­ lents over a glass of wine. Now they get to show us what they have learned, their per­ spective, where their ener­ gy lies.

ITs marks the end. ITs offers the students an opportunity to shine! In ad­ dition to the group gradua­ tion performances from all the Dutch dance schools, there will be a considera­ ble international compo­ nent. How do dancers over there train, what are their artistic. He tries to find people with a certain view on the body and who are not afraid to make choices. How do you use lights, sound, space, timing and of course, the body? The appeal is in the choices.

Curiosity is of the essence. Buy a ticket and come! ITs will be offering a diverse and wide-ranging programme that will pre­ sent a complete overview of theatre students from across the globe. Highlights will of course be the collaborations between the Dutch and international drama schools. But there will be some absolute gems among the performances on the foreign programme as well, from countries such as Iran, Latvia, the Czech Republic and Kosovo.

ITs is also collaborating with a number of foreign drama school fes­ tivals in places such as Bil­ bao, Portugal, Serbia, Bos­. Artistic Director Theu Boermans will be officially opening the festival at Directly afterwards you can have a drink, chat and dance at the first afterparty with DJ D-Rok. The closing night will start with awards flying left and right! The evening will be hosted by none other than Bracha van Doesburg and Waldemar Torenstra.

For more information on all the awards we will be giving out, see page Admission is free for this evening. By doing so we are laying the foundations for the international thea­ tre of the future. S, Research cyclus, fourth year, Brussels, Belgium. Like the music, the dance arises from a single movement phrase, which is explored for an hour without stopping. Endless combinations, variations, and transformations follow; through reversal, acceleration, and deceleration.

Drumming is een remake van Anna Teresa De Keers­ maekers gelijknamige voor­stelling uit Het dwin­ gende ritme van Steve Reichs muziek stuwt de dansers voort in een choreo­ grafie die tegelijk complex en verraderlijk eenvoudig is. Net als de muziek komt de dans voort uit één en­ kele bewegingsfrase, die een uur lang zonder ophouden geëxploreerd wordt in ein­ deloze combinaties, varia­ ties en transformaties, door omkering, versnelling en vertraging.

After the performances, visit the festive evenings with music and acts — and a drink, of course. Be seduced by his eclectic sets that form a mix of soul, funk, broken-beat, house, nu-jazz and of course hip-hop! From underground hip-hop to rock to indie to wicked dance beats. DJ Diggler lets it rip for great tunes, no matter which musical genre.

Tonight he will be serving the entire musical spectrum so be ready for a party that is meant to last. Be prepared for an eclectic night dancing to tracks you have not heard in years. Inspired by the first Detroit and Chicago house music, Lars Vegas has been mixing the most obscure records since the nineties. Chocolate Brown Dj Chocolate Brown makes music in a range of colours and flavours: soul, funk, jazz, classics, disco, hip-hop, grooves, pop, house, Latin No limits to his musical style!

Rich in energy and with a hint of chocolate in the mix. Dance lecture June 27th, foyer Compagnietheater, He or she will tell you all about his experi­ ences in the professional field. He will give hints and tips to the dance students and stimulate them to reflect on their position and the opportunities that lie ahead. Free entrance. Op 27 juni organiseert ITs een lezing door een gerenommeerde choreograaf.

Gratis entree. These hardcore vinyl diggers will bombard you with their mix of funk, soul, blues and hiphop. With a preference for obscure tracks and lost little gems. Today we have the honour of recei­ ving a legend. But most importantly, he is a formidable DJ. A rare night with some of the best grooves. Get funkalicious! A unique combination of classical music and jazz. With their wicked jazz sounds the night is guaranteed to become a memorable one!

Playwriting Debate June 24th, Rozentheater, It promises to be an inte­ resting discussion for both playwrights to be and di­ rectors, but also for policy­ makers and anyone else who is interested. Aan de hand van een aantal korte columns gaan theaterschrijvers het gesprek aan over de zin en onzin van toneelschrijven. Interessant natuurlijk voor toneelschrijvers in de dop , maar ook voor theatermakers, beleidsmakers en natuurlijk alle andere geïnteresseerden.

Entree is gratis. Theatremakers June 24 , Compagnietheater, Because acting is a profes­ sion. ACT organises work­ shops and masterclasses, is a consultant to professio­ nal organisations regarding employment policies, offers mentoring programmes in the drama schools, organi­ ses inspiring evenings with directors and actors, and it does not stop there.

Donderdag 3st, Juni 5:44:38 Am

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